I’ve just previewed "The Reckoning" on DVD, courtesy of director Pamela Yates (below left) -- who contacted me after seeing my January Look On! post about another Sundance Film Festival selection, Lisa F. Jackson's "The Greatest Silence." So I can vouch for the impact of this new film.
It will have you on the edge of your seat, following two simultaneous dramas – the Court’s first investigations and prosecutions of unspeakable crimes, and the Court’s own struggle to survive. It opens with the unduckable question:
Does humanity have the possibility of doing better than this?The film then moves back and forth between killing fields, Nuremberg, Rome, The Hague, Uganda, Congo, Colombia, Darfur. Ninety minutes goes very, very quickly.
In her Filmmaker’s Statement, after describing the Court itself as the protagonist in "The Reckoning," Yates tells us:
The title 'The Reckoning' has three meanings: the reckoning of a world trying to bring the worst perpetrators of massive crimes to justice; the reckoning of the International Criminal Court becoming an effective global arbiter of justice; and the reckoning with the international community – do we have the political will to carry out the arrest warrants and fulfill the mandate of this new Court?You will see many familiar and not-so-familiar faces: Prosecutor Luis Moreno-Ocampo, Deputy Prosecutor Fatou Bensouda (on whom I've posted before), Benjamin B. Ferencz of Planethood Foundation (which helps fund the American Society of International Law’s Helton Fellows in human rights), former Bronx prosecutor Christine H. Chung, now back practicing law in the United States, and John Bolton, former U.S. Ambassador to the United Nations.
Kudos to the documentary filmmakers – director Yates, Producer Paco de Onís and editor Peter Kinoy, all of Skylight Pictures – as well as cinematographer Melle van Essen.