Showing posts with label Off Topic Novel. Show all posts
Showing posts with label Off Topic Novel. Show all posts

Off Topic Novel---Dennis Lahane' Moonlight Mile

Moonlight Mile, Dennis Lehane, William Morrow Publishing, 326 pages, $26.95. So, Dennis Lehane. Shutter Island, HBO's The Wire, Mystic River, Gone Baby Gone, Prayers For Rain. Some of the best of the past twnety years' novels and films have come through his talents.

Moonlight Mile addresses sentimental and rational solutions to problems of child abuse, parenting, and a corrupt and violent world. A native of Boston, Lehane creates characters, dialog, and environments that reveal race, class and gender dilemmas in personal relationships and societial obligation that reflect the Dorchester section of Boston. Once fully Irish, Polish and Catholic and the neighborhood is still that but also black and Vietnamese.

Did Former police detective Patrick Kenzie do the right thing a decade ago when he located missing Amanda McCready, a missing four year old. He returned her to her crack addict mother. Her kidnappers were a stable middle class married couple. He hasn't had it easy time living with his decision.

In Moonlight Mile, Kenzie is now scraping along as a freelance PI, married to his former detective Angie Gennaro and their daughter. Learning that again Amanda McCready’s gone missing his conscience plucks at him. The gifted and manipulative 16year-old is again between two worlds. This time it is the world of her crack addicted mom and her paroled felone boyfriend the memory of being happy for a very short time. Creating a new world where she is happy, safe and out the law, Kenzieonce again is contronted with a decision made over a decade ago. Now local tough guys, Eastern European mobsters, baby smugglers, are now the working environment of Patrick Kenzie and Angie Gennaro, former police detectives, recently married and first time parents.

Dennis Lehane has written nine novels, including the New York Times bestsellers Gone, Baby, Gone; Mystic River; Shutter Island.

Off-Topic Fiction---Pynchon Cashes In, Out

Inherent Vice, A Novel, Thomas Pynchon, Penguin Books, 369 pp., 2009,$27.95.

Not sure what to do with this. Is it noir detective fiction? No. Is it comedy detective? No. Inherent Vice is set in Gordita Beach, a California surf city and during the early seventies. Doc Sportello, licensed private detective who has cut his chops in the skip tracing business is the protagonist. Brews, broads, and weed are never out of reach for Doc. Friends, clients and enemies have curious names: Shasta Fay, Reet, Denis (rhymes with penis), Petunia, Shauncho, Dr. Blatnoyd, and a host of others.

At issue is the disappearance of Micky Wolfmann, multi-millionaire real estate developer, whose main squeeze, other than his wife, is Shasta Fay for whom Doc is caring a torch. There are a few subplots and investigations that drop clues for the main plot. Maritime law, the ARPANet (early Internet), film, rock lyrics, and the mythical Pacific lost continent of Lemuria are summoned by the author to decorate the thin plot.

Will Inherent Vice be a film? Big Liebowski, PI? Doc and Bigfoot Bjornsen, LAPD detective, have some comic dialog. Sportello is a likable guy but his dope chatter takes him only so far. There is little momentum in the novel, possibly because nearly all the characters are smoking weed. At times though, Sportello and Bjornson are reflective in a serious way about the impact of currents events. What did the Manson Murders do to California's psyche? But also, there are sterotpyic toss off statements regarding surf culture, weed culture, political culture, and casino culture.

Lots of old movies, lots of music lyrics, lots of dope jokes pad the narrative. Pynchon, well known among the literati for his densely intricate novels, such as Gravity's Rainbow, has over compensated with Inherent Vice. It is
simplistic and nostalgic, much like the latest Springsteen album. One wonders if Pynchon's financial portfolio in the autumn of 2008 lost half its value and Inherent Vice was offered to the public as part of his own stimulus package. It is not a successful parody if it was intended to be one. Inherent Vice's future might rest in a graphic novel/film collaboration. Maybe of Frank Miller and Robert Rodriguez are interested in the film rights. Sin City Two: The Comedy.

Off Topic Classic---Henry James: The Turn of the Screw

The Turn of the Screw has a history. Over twenty films, operas, theatre productions, ballets, and televsion dramas have bee produced since the short story/novella made its first appearance in 1898. It has been a subtext for HBO's Deadwood and ABC's Lost. There are probably ten schools of thought about Henry James' intentions the meanings of the work. Literary critics, philosophers, psychologists and fiction writers have put forth a myriad of implications for an understanding the mind, evil and the supernatural.

A narrator listens to friend read a manuscript written by a former governess whom the friend has known but who is now dead. The young governess cares for two orphans at the request of a friend of their dead parents. He is an abstentee gaurdian living in London. Miles, the male orphan, is attends a boarding school. Flora, the female orphan, lives at country house that is kept and managed by Mrs. Grose. The gaurdian gives the governess charge of the children and states that she is not to bother him under any circumstances with details of her work or of the children's lives.

A letter from Miles' headmaster stating that he has been expelled and immediately Miles returns from school for the summer. The governess is hesitant to raise the issue and worries that there is some secret behind the expulsion. Yet Miles is compliant and charming toward the governess. Then the ghosts, a man and a woman, appear to the governess but not, it seems, to Miles, Flora, Mrs. Grose or a groundsman.

The governess discovers from Mrs. Grose that the previous governess, Miss Jessel and her lover, Peter Quint, suffered unexplainable deaths. Prior to their deaths they spent countless hours with Flora and Miles. The governess becomes convinced that the two orhans are secretly aware of the ghosts.

Flora becomes lost from the governess who, with Mrs. Grose, find her in the property's woods. Has she has been talking to Miss Jessel? Flora admits this and demands to have the governess sent away. Mrs. Grose takes Flora to her uncle. The governess and Miles are left on the estate. In the evening, the governess and Miles' converse about his expulsion. The ghost of Peter Quint appears outside the window. The governess grasps Miles in a protective embrace. Miles screams and struggles to see the ghost. The governess tells him that he is no longer under the control of the ghost, and finds that Miles has died in her arms.

The Turn of the Screw's ghosts are not demented, not returning from hell, and are not predators. Are the ghosts sinister or is the mind of the governess unhinged from preceptible reality? Is the rational mind able to grasp supernatural (above nature) or supranatural (within nature) spirit events? That is the crux of the story.

Many writers have examined James's narrative technique of framing the introduction as an reader-audience event with a first-person narrative written by one, who at the time of the reading, is deceased. The Turn of the Screw appears to be a gothic tale set on a rural estate with immense old buildings, distrubing bodies of water, and dense woods with spiritual glades. James' descriptions of the varieties of light and the governess' preceptions of it enhance the readers' preception of spirit forces.

Real ghosts? Insane governess? She accurately describes Quint the ghost but was there a picture of Quint among Jessel's things in the house? James, in his various notes on The Turn of the Screw gives no indication that the governess hallucinates the ghost. James returned to the story frequently to edit it, even after it was published on several occassions.

What CWL favorite films and novels offer the same degree and type of suspense as The Turn of the Screw? The Others [2001] starring Nicole Kidman and Peter Straub's novel [1981] Ghost Story.

Off Topic Novel---The Art of Racing in the Rain: Cars, A Canine, and Some Karma

The Art of Racing in the Rain, Garth Stein, unabridged audiobook read by Christopher Evan Welch, six compact disks, $14.95.

This novel is narrated by a dog. Whatever you dog is thinking, this isn't it. A lab terrier mix is randomly chosen from a litter on a farm outside Seattle by race car driver Denny Swift. Denny Swift. Swift...race car driver. You get it, right?

Denny names the dog Enzo. Denny marries Eve and together they have daughter, Zoë. Enzo watches television, especially the American Movie Channel, ESPN when NASCAR is on and apparently the International Film channel when it is showing French films. Enzo can understand human speech but can't talk. Like a Frenchman, Enzo complains on his deathbed about the collective ennui of the human race. Yes, Enzo thinks the words 'collective ennui.'

Other TV channels, though not mentioned in the narrative, must have been watched by the dog. The Buddhism Channel, the Hindu Channel, The Rosicrucian Channel, and the Reincarnation Channel. This novel is in the same vein as that early 1970's bestseller Jonathan Livingston Seagull in which a bird teaches humans the many answers to the question "Who Moved My Cheese?"

Denny uses the family's savings and home value to make it on the professional racing circuit. Eve gets cancer and dies. The evil twins, the grandparents, create suspicions and file a lawsuit to take Zoe away from Dad. Enzo takes time away from watching Denny's racing videos to create Buddhist koans that apply to both driving and life: "The car goes where the eyes go". Melodrama advances the plot through which the human characters sit, walk, fetch and file lawsuits.

The end comes suddenly. A Porsche heir enters with an offer of employment. Denny's parents who have been missing from the novel from page one drop in overnight and leave a check equal to the value of their farm. A witness recants testimony.

The Art of Racing in the Rain is destined for the Hallmark television channel. It is suitable for young adults and their parents, while they are in a car with the cruise control on.

Off Topic Novel---New Orleans 1900: Murder and Opium, Jazz and Storyville, Corrupt Cops and Marriages

Jass, David Fulmer, Harvest/Harcourt Publishing, 354 pp., $14.00, 2005.

Again turn of the century New Orleans' red-light district is the setting for David Fulmer's follow-up to Chasing the Devil's Tail, his first novel with former policeman/private detective Valentine St. Cyr. Fulmer's spare, evocative narrative creates an murder investigation steeped in opium and bourbon, police and political corruption, and marriage and love. Fulmer builds uses an emotional scaffolding of distrust and grace from the first nove. St. Cyr is a multiracial Creole detective, with a deep backstory that is revealed smoothly throughout the second novel. St. Cyr emotional troubles hinder a solution to murders of four brutally jazz musicians. Lieutenant Picot, his former boss in the New Orleans police department, and his current employer, Tom Anderson, the "King of Storyville," challenge and threaten his loyalites. Both make demands that test his committment to a new and delicate relationship with a former prostitute. Historic figures such as Jelly Roll Morton and Madame Lulu are prominent in this story set in the Crescent City. Ghostly appearances of a female seem linked to both to the local voodoo clanns and the serial killings of former members of a Storyville jazz band featured in Chasing the Devil's Tail. A tangible environment flows naturally out of the actions fo the characters and impact of New Orleans on them. place. Fulmer's third in the series, Rampart Street, is on my desk.

Off Topic Novel---1840s New Orleans Drenched In Heat, Opium, Yellow Fever, Mercury Poisoning, Sex and Voodoo

Yellow Jack, A Novel, Josh Russell, W.W.Norton Publishing, 250 pp, paperback, $14.95

In 1838 a fugitive apprentice photographer lands in New Orleans and sets up shops in warehouses, bedrooms, and the streets of antebellum New Orleans. In Paris he apprentice steals a camera from Louis Daguerre and in New Orleans takes the name Claude Marchand, is wildly successful as a portraitist, as a sexual partner to both a octroon voodoo practitioner and a adolescent heir to a fortune.

Millicent, the voodoo adept, offers her sexual services to the gossip columnist of the Daily Tropicto protect Claude's secret after Daguerre exhibits his process in Paris. Vivian, a 10-year-old becomes a subject of many of Claude's portraits. For several years, Vivian and Millicent vie for Claude's attention. At age 14 Vivian catches yellow fever and her family takes her to New York. Claude and Millicent marry, adopt deformed twins and experiment with a domestic life.

Vivian's return sets the sex and drugs back into action. Vivian, resumes her monthly portrait sitting, seduces Claude who intentionally wrecks his family and marriage. Millicent, voodoo practitioner, is not to be crossed. Fame and wealth come to Claude as a portraitist of the dead slain by yellow fever but contentment eludes him. Vivan's accepts a fiancee who soon dies of the plague.

There are three versions of this tale story and for the reader, three worlds collide: Claude's first-person narration, Millicent's diary entries, and an art historian's notes for an exhibition book. The voice of Claude's opium and mercury poisoning, the voice of Millicent's jealousy and revenge, and an anonymous art historian arid voice of Claude's neglected daguerreotypes.

Yellow Jack is also a collision of the works of Tennessee Williams (dramas set in one room, not Southern regionalism), Anne Rice (the soft porn books not the vampire books), and maybe William Faulkner (his view of manipulative women) and Flannery O'Connor (her naturalism in the damnation of souls). The scenes and settings are finely etched, the behaviors are well sketched but the characters are not compelling. In the Old English language the word 'wicked' meant 'twisted' like the wick of a candle. These characters are wicked in the Old English sense. Sadly wicked and sadly unredeemed, full of sound and fury, sex and mortality, but signifying very little. Death will come to all and madness might precede it.

Of course, that precisely might be the author's point.

Off Topic Novel---One From The Big Easy, Circa 1900

Chasing the Devil's Tail: A Mystery of Storyville, New Orleans, David Fulmer, Harcourt Press, 2002, 335pp, $14.00 paperback.

CWL spent a week in New Orleans and while wandering through Bourbon Street, the World War II and the History of Mardi Gras museums an historical detective series jogged his memory. Something published in 2001 or 2002 and set in turn of the 1900s Storyville section in New Orleans. Tracking down a $5 copy of >Chasing the Devil's Tail: A Mystery of Storyville, New Orleansin a bookstore near Jackson Square, it seemed to be the time to start a new detective series set in a city where some time was being killed.

Chasing the Devil's Tail: A Mystery of Storyville, New Orleans, has going for it: 1.) the first in a long running series, 2) a detective mystery of sex, alcohol, drugs, insanity and murder, 3) a tri-racial detective, and 4) corrupt politicians and churchmen. Creole detective Valentin St. Cyr isn't comfortable with the idea that a couple of murders are being pinned on his childhood friend, Buddy Bolden who has risen to fame with the new "jass" music of his horn. St. Cyr watches his friend emotionally and professioanly self-destruct through the use of alcohol and probably opium.

Early 20th-century New Orleans with its large, elegant houses of the madams, its lice infested cribs of prostitution, and its rigid and at times fluid caste system is the setting for historical figures such as political boss Tom Anderson, early jazzman Buddy Bolden, piano player Jelly Roll Morton, photographer E.J. Bellocq whose portraits of New Orleans whores are now famous, and 'the last of the great madames' Lulu White. Each play an important role in the plot which doesn't constrict the characters into stereotypes. It is a tour the cribs, the churches, the saloons, the insane asylum, the dance halls, the morgue and the apartments of New Orleans during the first decade of 1900. The hero is conflicted by race, ethnic, childhood, voodoo and previous career choices that include amateur thief and professional policeman. CWL is now shopping for Jass the second in the series.

The author is a journalist who has written about jazz and blues for National Public Radio, the Atlanta Journal-Constitution, and other publications. He has also written and produced the documentary Blind Willie's Blues.

CWL---Off Topic: Classic Literature on Stalingrad

Enemy at the Gates: The Battle for Stalingrad, William Craig, Readers Digest Press, 462pp, 1973.

Craig's 1973 book is a fine non-fiction account of the Stalingrad Campaign. It's title was taken for use by the producers of the 2001 Paramount Pictures film staring: Joseph Fiennes, Jude Law, Ed Harris, Rachel Weisz, Bob Hoskins and Ron Perlman. The book contains the story of Vaselli Zaitsev and Tania Chernova, Russian snipers and a duel with a master German sniper. Craig cautions that the duel may have the the creation of the Communist war propaganda bureaucracy, but the essential facts of Zaitsev and Chernova are available in documents and interviews. Craig's discussion covers about 20 pages throughout the book.


Craig's Enemy at the Gates was republished by Penguin Press in 2000 with cover artwork from the film. The film was probably from David L. Robbins 1999 novel War of the Rats. Robbins' plot is generally the same as the movie but the movie carries the name of Craig's non-fiction book.

Craig's Enemy At the Gates is a fine history that strength of which is the reliance upon interviews with the survivors of the campaign. Russians, Germans, Italians, and Romanians were interviewed. Craig's book contains startling stories from the front line soldiers to those at headquarters. Amazing accounts of cannibalism, burning wounded prisoners in their hospitals and the floor-to-floor fighting of the campaign unique. Headquarters' strategy and battlefield tactics are presented in the words of the participants. There is no doubt that Hitler carries the blame for not breaking von Paulus' army out of the kesseland that Goering the diaster of not keeping the German army supplied.

David L. Robbins' War of the Rats, 392 pages
Bantam hardcover edition, 1999 handles admirably the dual tasks of storytelling and staying close to history. Those who read historical fiction will be well satisfied by Robbins' character driven sharpshooter's dual in Stalingrad. Tania Chernova in Craig's history is truly a remarkable character who begins the campaign as one person and by the end of it is some else. Her episode of crawling through Stalingrad's public sewers to reach the Russian line shows her capacity to endure. Indeed of the two others that start the trek with her, one suffocates in the sewer lines. Robbins reinforces the Chernova's true story with enough reliance on his imagination to create a strong character who is not a stereotype of a woman among men at war. There is a striking similarity between the novel and the film. CWL is not sure if the film and the novel were started at the same year, 1998. Both did use Craig's Enemy at the Gates as a source document. For a good introduction to Stalingrad look for Voices from Stalingrad by John Bastable which CWL covered March 1 2009.

Off-Topic Novel---Do You Own The Patent On Your Body?

Next, Michael Crichton, HarperCollins, 448 pages, 2006, $29.95.

What's coming next? Twenty percent of all human genes are owned by corporations and universities. It's possible to sell human eggs and sperm online for thousands of dollars. Prenuptial agreement includes testing for genetic predispositions.

Next blends facts with fiction. Economic realities and the presuppositions of morality are set along side the comically bizarre mundane world of scientific research by Crichton. Most readers who have an affinity for property rights will become angry at the CEOs, CFOs of corporations and universities in Next. Crichton focuses upon genetic engineering handled by corporations and lawyers. He challenges what's wrong with Congress' current handling of gene patents and with the laws governing human tissues. There are many plots that share elements of consumerism, finance, research and bureacracy.

Next could be placed on a bookshelf between Dr. Doolittle and The Planet of the Apes. There is a character with mixed human and chimp DNA; it is an intelligent hybrid rescued from a government research lab and is passed off as a fully human child with a defective gene. Another character is Gerard, an unusually bright parrot which does math and knows way to many rock lyrics and lines from movies. The humans at times come off as stock characters who have no or very little development through the novel. Like many Crichton novels Next is driven by what the animals will do next. Yet, readers will probably come away with two questions: How much of this is true? How worried should I feel?

Off Topic Novel---A Novel of Detection Set at West Point, 1830

The Pale Blue Eye, Louis Bayard, $24.95 hardcover, $14.95 softcover, 432pp., Harper Collins, 2006.

At West Point Academy in the autumn 1830 a cadet commits suicide by hanging. While being stored in an icehouse the dead man's heart is removed. West Point neighbor and retired NYC policeman, Augustus Landor is asked by academy adminstrators to discreetly investigate. At risk is the academy's fledgling reputation. Landor enlists the aid of cadet E. A. Poe. Yes, that E. A. Poe who was indeed a West Point cadet at that time. The New Yorker and the Virginia are certainly a different Holmes-Watson pair of investigators.

Landor has his sorrows; both his wife and his daughter died soon after relocating from New York City to the Hudson River Valley. Superintendent Thayer has his priorities. Poe has his metaphors and insider inforamtion on the student body. The trio find themselves confronting a second murder and mutiliation. Clues, codes, and cults are examined and psychological suspense ensues. This reader suspended his disbelief in due time but also found a few outlandish developments that made him wince. But, Bayard's delightfully executed period prose and details were thoroughly enjoyable and returned this reader to his required disbelief. The meticulously described historical setting, the young Poe's literary inspirations, and Lander's veiled confessions provided incentive to bear with the slightly preposterous intrustions from the 1980s, such as the possiblity of a Satanic cult. These intrusions are rare and the plot does not hinge upon them.

Overall, The Pale Blue Eye is enjoyable because the plot hangs together, and the characters of Landor, Poe and Thayer are well described and compelling. The details of Benny Haven's Tavern and West Point's dining and residence halls appear accurate. The main detraction is a cinematically overwrought climax which fortunately is not the conclusion of the novel. Poe is not only a poet but a detective and uncovers the policeman's secrets at the very end.

Off Topic---Novel: My Brooklyn, My Dad and My Life Stutter-Stepping Around the Mob

Heart of the Old Country, Tim McLoughlin, Akashic Books, 230 pages, $14.95.

McLoughlin, editor of the Brooklyn Noir series, delivers a fine tale. Set in Brooklyn with characters which are universal, the novel has many facets of humor and personal growth, tragedy and murder. Michael is a 20 year old Brooklyn native and is having trouble with his career/life/education/part-time fiancee. Both his father, Vinny, an sanitation worker on disability, and Michael drive for a car service/gypsy/jitney cab company that is tangentially connected to the local mob. Senior citizens are the primary riders but there are also mob chores.

Michael begins to cross the river for night school in Manhattan. Challenged by both the academic work and the personalities in the class room, he attempts to imagine a life in the world beyond Brooklyn and has trouble seeing it. Another driver/friend/junkie, Nicky, holds up a mob poker game. Michael is unexpectedly called upon to drive a killer to an alley where Nicky is set up for a hit. Afterwards, there is another special trip and Michael is in the middle of the theft of a knapsack travelling from a supplier to a dealer. Will Brooklyn let Michael leave if Michael wants to leave? He stutter steps through the mob, the fiancee, the widowed father, and at times his own 'reveal nothing to nobody not even yourself' attitude saves him and gets in the way of growing up.

The 'old country' is not Brooklyn but it is the father-son relationship. The author, who works in the Brooklyn court system, deals with Brooklyn male egos not in a Sopranos-type way but in a way that more resembles everyday life for everyday people in an American metropolitian neighborhood that is steeped in family and criminal traditions. In terms of genre, this is not a hard-boiled detective novel. The main characters aren't that caustically smart. But in terms of writing style, occasionally CWL's previous encounters with Dashiell Hammett, Raymond Chandler, James M. Cain, and Ross Macdonald came to mind.

Off Topic Novel--- Heart Shaped Box: Beware of Ghosts Offered Over The Internet

Heart Shaped Box, Joe Hill, William Morrow Publishing, 384 pp., $24.96, hardcover, and Harper Fiction Publishing, 366 pp., $7.99 paperback.

A spoiled Goth rock star buys a dead man's suit, advertised with a ghost included, over the Internet. By page 205 in the paperback edition, the author reveals what this reader learned very early in the story: "In time Jude (the 50+ heavily bearded rocker) had developed something like an immunity to the condition of feeling stupid. So when he paused, it wasn't out of a reluctance to speak but because he honestly didn't know what to say."

Jude Coyne, aging head-banger, comes with baggage: a coke-addled brain, a live-in groupie who was a former pole-dancer, a business manager who gave his sister a hot shot of heroin, an abusive father who hates rock and roll and takes a hammer to Judes' fingers at a very early age and this father is now on his deathbed. The Ghost comes with baggage: formerly a army intelligence off icier in Viet Nam whose daddy handled snakes during worship services, formerly a step-father who raped his step-daughters and who had designs before he died on his grand-daughter. One of his victims was a live-in group of Jude Coyne; the other victim is the advertiser of the suit with the ghost. These coincidences pile up every third or fourth chapter. With the pace and descriptive style of a graphic novel, Joe Hill's story is reminiscent of Stephen King's early novels and like-wise this reader sees a C+ movie being belched from Hollywood.

Now, why did I read Heart Shaped Box? 1.) The reviews. 2.) I like classic horror and have shelf of it with my several shelves of classic detective fiction. 3.) I was sick with a three-day cold. But I don't regret that I did read it. Though the characters are simple-minded and emotionally dull, there were elements of the plot I enjoyed. How does one kill a ghost whose purpose in the afterlife is to kill you and your friends? How does a step-father carry his sociopathology successfully into the afterlife? How do the dead take revenge on the dead? All interesting questions, if you suspend some of your disbeliefs about the nature of the afterlife. So, I have Joe Hill's short story collection, 20th Century Ghosts, in a second hand paperback edition and will get to it sometime when I'm sick.

Off Topic Novel: The Prestige

The Prestige, Christopher Priest, 404 pages, St Martins Press, October 1996, Blackstone Audiobooks, unabridged edition, October 2006.

CWL, The Washington Post and Amazon.com agree on this one.

The Washington Post called this "a dizzying magic show of a novel, chock-a-block with all the props of Victorian sensation fiction: seances, multiple narrators, a family curse, doubles, a lost notebook, wraiths, and disembodied spirits; a haunted house, awesome mad-doctor machinery, a mausoleum, and ghoulish horrors; a misunderstood scientist, impossible disappearances; the sins of the fathers visited upon their descendants." Winner of the 1996 World Fantasy Award, The Prestige is even better than that, because unlike many Victorians, Priest writes crisp, unencumbered prose. And anyone who's ever thrilled to the arcing electricity in the "It's alive!" scene in Frankenstein will relish the "special effects" by none other than Nikola Tesla.

Publishers Weekly:
"Priest, one of Granta's Best Young British Novelists (1983 list), has not been overproductive since he made a small reputation with The Affirmation and The Glamour, published here more than a dozen years ago. His new novel (the title of which refers to the residue left after a magician's successful trick) is enthrallingly odd. In a carefully calculated period style that is remarkably akin to that of the late Robertson Davies, Priest writes of a pair of rival magicians in turn-of-the-century London. Each has a winning trick the other craves, but so arcane is the nature of these tricks, so incredibly difficult are they to perform, that they take on a peculiar life of their own?in one case involving a mysterious apparent double identity, in the other a reliance on the ferocious powers unleashed in the early experimental years of electricity. The rivalry of the two men is such that in the end, though both are ashamed of the strength of their feelings of spite and envy, it consumes them both, and affects their respective families for generations. This is a complex tale that must have been extremely difficult to tell in exactly the right sequence, while still maintaining a series of shocks to the very end. Priest has brought it off with great imagination and skill. It's only fair to say, though, that the book's very considerable narrative grip is its principal virtue. The characters and incidents have a decidedly Gothic cast, and only the restraint that marks the story's telling keeps it on the rails."

Source: Reed Business Information, Inc., Copyright 1996

Library Journal:
"Notions of doubleness pervade this tale of a feud between the families ot two Victorian-era magicians. Alfred Borden and Rupert Angier have spent their careers trying to sabotage one another. When Borden ups the ante by developing a seemingly impossible trick in which he is moved across the stage in a unimaginable short time, Angier responds by enlisting inventor Nikola Tesla to build a turn-of-the-century version of a Star Trek-like transporter. The magicians' story is framed by that of two descendants, affected by the feud in ways they are only beginning to fathom, who meet at the Angier family's desolate country estate. Mixing elements of the psychological novel with fantasy, this is an inventive, if somewhat far-fetched, British neo-Gothic."

AudioFile:
"Priest's remarkable novel won the World Fantasy Award in 1996. Now it's been produced as an audiobook every bit as remarkable. Simon Vance provides the voices of two warring professional stage magicians at the turn of the nineteenth century: Alfred Borden and Rupert Angier. The entire novel is told through journal entries by these two prestidigitators. Hearing Vance mellifluously pronounce words like "prestidigitator" as if they were part of his normal speech makes the book worth the time, but there is so much more. These characters are shrouded in mystery from the very first minutes, and Vance expertly portrays these two men as their lives (and their tricks) are slowly revealed. Winner of AudioFile Earphones Award, 2007 Audies Award Finalist"

Source: © AudioFile 2007

CWL: You may have seen the film and enjoyed it; CWL did. So much so, and following the truism that the book is better than the film, CWL found an unabridged reading of The Prestige produced by Blackstone Audio. As much as there is in the film, there is twice as much in the novel. Enjoyment of the book was not diminished by having seen the film. There are additional characters and plot twists. Of course, when the novel introduced Nicholas Tesla, I didn't picture a black and white photo of Tesla but the film's representation of him, David Bowie.
 
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